Archive for the ‘Haha you funny dawg.’ Category

To start things off, in this series of posts, id like to say… I’d like to see things end.

Id like to see a purer music industry, I’d like to see a purer means of music appreciation, a purer means of experience. I feel there are  a series of major issues in the punk rock world… an innate and so far unavoidable set of issues that have doomed the autonomy of the movement, as well as many other musical movements. One of these major issues is the commodity music has become. A commodity that removes music as an art and develops it as a business venture, this as a means to allow the powerful elite to engrain their influence into the very trains of thought that desire to defy them.

I want to key in on certain philosophies and critical theories that focus on this phenomenon of commoditization. To do that I would like to start with a conversation I’ve had before with a freind:

Him: “People that enjoy that kind of music [bubble gum pop] don’t really like “music”. They like songs. And shitty songs at that, but the point is that they don’t enjoy music as music, just the 3 minutes of catchy crap. ”

Me: “I recently read an article by the writer and critic Theodore Adorno…

http://en.wikipedia.org/wiki/Theodor_W._Adorno

“specifically look at the 2nd chapter of this article, Musical theory, and even more specifically the first paragraph of that chapter and the exerpt on Marxist theory. It pretty much expresses entirely what you are saying, only it was conceived and foreseen at the advent of recorded music.
Marxists are always attempt to be so prophetic, at least some times they hit their mark.”

“(The music industry) seems every year to make more and more cultural artifacts of less and less quality that are consumed with some disgust by their “fans”. – (an alteration of a quote from the wikipedia article previously linked)

“Music specifically is more and more commoditized every year. Music is no longer an art but an industry. it is no longer artistry but business.

“Adorno said this stating (as a Marxist would) that the consumer is quietly aware of the dying credibility of the commodity of arts. But they continue to purchase because it is what is available. He believed eventually however that the consumer would become frustrated with this (among other innate oppressions)  to the point of revolution.

“But the Situationist International member Guy Debord (also a Marxist in a sense) sees the consumer’s accept of the commoditized recordings with oblivious glorification. and theorizes that the Music industry exists as a commodity provider to create an illusion of art and satisfaction in the consumer, when really it provides very little intellectual stimulation or value as an art. This commodity is thus keeping the consumer from thinking too deeply about their station within the capitalist system, and within the spectacle of the system’s commodities and media.

“Just trying to affirm your feelings towards pop music with solidly respected theorists. Though the two of them would probably still distain even the most obscure and challenging bands you listen to as still contributing to this commoditization. ”

Him: “Thank you for clarifying that.
This is all too true.
But you will always find artists who play not just for money and fame.
So it’s all good.”

Me: “Its not so much who plays music for money and who plays for the sake of the art. Its who says what with their music. Because a lot of “indie bands” are still just pop bands. And a lot of no name bands are just artless believers in failed revolutionary ideals.(ie punk, metal, grunge, rave, rock and roll, definitely the modern indie scene) thus only diverting the consumer from a true revolutionary consciousness. Again they are firm believers in serious Marxism so everything comes down to setting the stage for the global proletarian revolution.

“Not to mention it’s not even so much what the music is saying or how sincere or timely it is to modern culture and the revolutionary spirit. It’s that commodity of music itself has (although made music as an art only experienced by the elite now available to the masses) become less an art and more a system due to the process of recording. Something that can’t be experienced without paying a great deal of money, which is a shame, since music is probably the most approachable and emotionally investing for the experience of all fine art. and now we have to pay to experience it.

“You see though, the reality is desperate and impossible. guy Debord killed himself when he came to the realization of this. the realization that the depth of commodity in not only music culture but all culture, global culture. the reality that the situation is completely irreversible. it is essential to our modern world entirely. that is how well commodity has been burned into human consciousness. that we all, all, have been mind controlled to an inconceivable depth.”

Our self concept of autonomy is a sham because of it… and any movement that finds itself expressed in music, in art, in literature suddenly becomes sucked into a catastrophic self-evolving deception. A deception that makes all too clear that we creatures have very little real autonomy if any at all.

Heidegger tells us that in fact that we as humans have no real autonomy… that we are historical and social creatures with personalities based on experience nurture, and environment. This environment being manipulate-able, makes us manipulate-able. –(A quick summary of Martin Heidegger’s philosophies on the subject from “Letter on Humanism.”)
However I disagree there, its not completely irreversible. i think that the only means of reversing this however would require the complete destruction of modern culture. Or at least the complete destruction of modern culture within the individual. If real autonomy does not exsit… if the idea of humanity does not exist thusly, that these things in their never truely present state, in there entirely metaphysical state do not have any real physical foundation, then this alone allows the evils we experience against us. Truth is not a physical pressence, thus it can be twisted, justice can be subverted, rights can be ignored, and humanity thus can be deceived and damaged.

However we are not left at the whims of powerful men, but with the same metaphyiscs, the same concepts, the same empty promises that allow for evil, may also be salvations. But the question then becomes how does one fight that which has made them what they are?

[to be continued]